Prince, Stephen (2011). Digital Visual Effects in Cinema: The Seduction of Reality [online]. New Brunswick: Rutgers University Press. http://www.jstor.org/stable/j.ctt5hj5pv.4?seq=2#page_scan_tab_contents [27/02/2017]. ---- Page 6: The relative seamlessness of digital effects images made possible an expansion of screen time devoted to fantastical elements.
Prince, Stephen (2011). Digital Visual Effects in Cinema: The Seduction of Reality [online]. New Brunswick: Rutgers University Press. http://www.jstor.org/stable/j.ctt5hj5pv.4?seq=2#page_scan_tab_contents [27/02/2017]. --- page 2: Cinema, according to the predominant model, is a photographic medium oriented toward live action in which filmmakers arrange performers and events before the cinema during production, with the camera used as a recording mechanism to capture an accurate facsimile of what has been placed before it.
British Standards Institution, (2011). BS8909 Standards Publication [online]. London: BSI. Available at: file:///C:/Users/N0683023/Downloads/BS%208909-2011--[2017-02-28--01-17-13%20PM].pdf [28/02/2017]. [Accessed through NTU Library Research System].
Brachmann, Steve (2014). The Evolution of Digital Cameras - A Patent History [online]. Practicing Law Institute: IPL WatchDog. Available at: http://www.ipwatchdog.com/2014/10/28/the-evolution-of-digital-cameras-a-patent-history/id=51846/ [Accessed 28/02/2017].
Dean, Tacita (2011). Steven Spielberg & Martin Scorsese: the joy of celluloid [online]. UK Edition: The Guardian. Available at: https://www.theguardian.com/artanddesign/2011/oct/10/steven-spielberg-martin-scorsese-celluloid [Accessed 28/02/2017].
A Trip to the Moon (1902). [Film]. George Melies. Paris: George Melies. [Original name is Le Voyage dans la Lune].
Life of an American Fireman (1903). [Film]. Edwin. S. Porter. New York City: Edison Manufacturing Company.
The Toll of the Sea (1922). [Film]. Chester. M. Franklin. Boston: Technicolour Motion Picture Company.
The Jazz Singer (1927). [Film]. Alan Crosland. Burbank, California: Warner Bros.
O’Hehier, Andrew (2014). How Technology & Tradition Combine to make Modern Movies [online]. New York: Nautilus. Available at: http://nautil.us/blog/how-technology--tradition-combine-to-make-modern-movies. [Accessed 02/03/2017].
Avatar (2009). [Film]. James Cameron. Los Angeles: 20th Century Fox.
Star Wars: Episode II - Attack of the Clones (2002). [Film]. California: Lucas Films.
Star Wars: The Force Awakens (2015). [Film]. J.J. Abrams. California: Lucas Films.
Making Ex Machina: Through the Looking Glass, (2015). [Youtube] Five by Five, Dec 10 2015. Available at: https://www.youtube.com/watch?v=XqFsn8FvejE&t=1272s [Accessed 22/02/2017].
W. Haines, Richard (1993). Technicolour Movies: The History of Dye Transfer Printing. Reprint, 0-7864-1809-5. North Carolina, McFarland & Company Inc. Available Via: https://books.google.co.uk/books?id=DFXhGtNKh0wC&pg=PA32&dq=technicolour&hl=en&sa=X&redir_esc=y#v=onepage&q=the%20gulf%20between&f=false. [25/04/2017].
The Godfather (1972). [Film]. Francis Ford Coppola. Hollywood: Paramount Pictures.
Ex-Machina (2015). [Film]. Alex Garland. United Kingdom: Film 4. [Company Channel 4].
2001: A Space Odyssey (1968). [Film]. Stanley Kubrick. New York City: Stanley Kubrick.
Marshall Cavendish Corporation (2003). How It Works: Science and Technology, Volume 13. Third Edition. Singapore: Marshall Cavendish Corporation. Available at: https://books.google.co.uk/books?id=Pzun0xgvVuMC&pg=PA1857&dq=how+celluloid+works&hl=en&sa=X&ved=0ahUKEwjOr57G5dbTAhXM2xoKHSVGBR8Q6AEIMTAD#v=onepage&q=how%20celluloid%20works&f=false. [01/05/2017]
Joseph A. Ippolito (2003). Understanding Digital Photography. 778 Edition. Boston US: Cengage Learning. Available at: https://books.google.co.uk/books?id=PVSuOfbFuh0C&dq=how+digital+cameras+works&source=gbs_navlinks_s. [01/05/2017].
Prince, Stephen (2011). Digital Visual Effects in Cinema: The Seduction of Reality [online]. New Brunswick: Rutgers University Press. http://www.jstor.org/stable/j.ctt5hj5pv.4?seq=2#page_scan_tab_contents [27/02/2017]. --- page 2: Cinema, according to the predominant model, is a photographic medium oriented toward live action in which filmmakers arrange performers and events before the cinema during production, with the camera used as a recording mechanism to capture an accurate facsimile of what has been placed before it.
British Standards Institution, (2011). BS8909 Standards Publication [online]. London: BSI. Available at: file:///C:/Users/N0683023/Downloads/BS%208909-2011--[2017-02-28--01-17-13%20PM].pdf [28/02/2017]. [Accessed through NTU Library Research System].
Brachmann, Steve (2014). The Evolution of Digital Cameras - A Patent History [online]. Practicing Law Institute: IPL WatchDog. Available at: http://www.ipwatchdog.com/2014/10/28/the-evolution-of-digital-cameras-a-patent-history/id=51846/ [Accessed 28/02/2017].
Dean, Tacita (2011). Steven Spielberg & Martin Scorsese: the joy of celluloid [online]. UK Edition: The Guardian. Available at: https://www.theguardian.com/artanddesign/2011/oct/10/steven-spielberg-martin-scorsese-celluloid [Accessed 28/02/2017].
A Trip to the Moon (1902). [Film]. George Melies. Paris: George Melies. [Original name is Le Voyage dans la Lune].
Life of an American Fireman (1903). [Film]. Edwin. S. Porter. New York City: Edison Manufacturing Company.
The Toll of the Sea (1922). [Film]. Chester. M. Franklin. Boston: Technicolour Motion Picture Company.
The Jazz Singer (1927). [Film]. Alan Crosland. Burbank, California: Warner Bros.
O’Hehier, Andrew (2014). How Technology & Tradition Combine to make Modern Movies [online]. New York: Nautilus. Available at: http://nautil.us/blog/how-technology--tradition-combine-to-make-modern-movies. [Accessed 02/03/2017].
Avatar (2009). [Film]. James Cameron. Los Angeles: 20th Century Fox.
Star Wars: Episode II - Attack of the Clones (2002). [Film]. California: Lucas Films.
Star Wars: The Force Awakens (2015). [Film]. J.J. Abrams. California: Lucas Films.
Making Ex Machina: Through the Looking Glass, (2015). [Youtube] Five by Five, Dec 10 2015. Available at: https://www.youtube.com/watch?v=XqFsn8FvejE&t=1272s [Accessed 22/02/2017].
W. Haines, Richard (1993). Technicolour Movies: The History of Dye Transfer Printing. Reprint, 0-7864-1809-5. North Carolina, McFarland & Company Inc. Available Via: https://books.google.co.uk/books?id=DFXhGtNKh0wC&pg=PA32&dq=technicolour&hl=en&sa=X&redir_esc=y#v=onepage&q=the%20gulf%20between&f=false. [25/04/2017].
The Godfather (1972). [Film]. Francis Ford Coppola. Hollywood: Paramount Pictures.
Ex-Machina (2015). [Film]. Alex Garland. United Kingdom: Film 4. [Company Channel 4].
2001: A Space Odyssey (1968). [Film]. Stanley Kubrick. New York City: Stanley Kubrick.
Marshall Cavendish Corporation (2003). How It Works: Science and Technology, Volume 13. Third Edition. Singapore: Marshall Cavendish Corporation. Available at: https://books.google.co.uk/books?id=Pzun0xgvVuMC&pg=PA1857&dq=how+celluloid+works&hl=en&sa=X&ved=0ahUKEwjOr57G5dbTAhXM2xoKHSVGBR8Q6AEIMTAD#v=onepage&q=how%20celluloid%20works&f=false. [01/05/2017]
Joseph A. Ippolito (2003). Understanding Digital Photography. 778 Edition. Boston US: Cengage Learning. Available at: https://books.google.co.uk/books?id=PVSuOfbFuh0C&dq=how+digital+cameras+works&source=gbs_navlinks_s. [01/05/2017].